Your current situation can be depicted as "Oppression (Exhaustion)" transforming into "The Abysmal (Water)".
In front of you lies "Lake" which transforms into "Water". That means that joy, pleasure, and attraction are being transformed into danger and the unknown. Behind you lies "Water", representing danger and the unknown.
The Situation
47. K'un - Oppression (Exhaustion) Above (in front): Tui - The Joyous (Lake) Below (behind): K'an - The Abysmal (Water)
Comment by Richard Wilhelm:
The lake is above, water below; the lake is empty, dried up. Exhaustion is expressed in yet another way: at the top, a dark line is holding down two light lines; below, a light line is hemmed in between two dark ones. The upper trigram belongs to the principle of darkness, the lower to the principle of light. Thus everywhere superior men are oppressed and held in restraint by inferior men.
The Judgement for the Current Situation
Oppression. Success. Perseverance. The great man brings about good fortune. No blame. When one has something to say, It is not believed.
Comment by Richard Wilhelm:
Times of adversity are the reverse of times of success, but they can lead to success if they befall the right man. When a strong man meets with adversity, he remains cheerful despite all danger, and this cheerfulness is the source of later successes; it is that stability which is stronger than fate. He who lets his spirit be broken by exhaustion certainly has no success. But if adversity only bends a man, it creates in him a power to react that is bound in time to manifest itself. No inferior man is capable of this. Only the great man brings about good fortune and remains blameless. It is true that for the time being outward influence is denied him, because his words have no effect. Therefore in times of adversity it is important to be strong within and sparing of words.
The Image for the Current Situation
There is no water in the lake: The image of Exhaustion. Thus the superior man stakes his life On following his will.
Comment by Richard Wilhelm:
When the water has flowed out below, the lake must dry up and become exhausted. That is fate. This symbolizes an adverse fate in human life. In such times there is nothing a man can do but acquiesce in his fate and remain true to himself. This concerns the deepest stratum of his being, for this alone is superior to all external fate.
Interpretation of the Changing Line(s)
Line 4: He comes very quietly, oppressed in a golden carriage. Humiliation, but the end is reached.
Comment by Richard Wilhelm:
A well-to-do man sees the need of the lower classes and would like very much to be of help. But instead of proceeding with speed and energy where there is need, he begins in a hesitant and measured way. Then he encounters obstructions. Powerful and wealthy acquaintances draw him into their circle; he has to do as they do and cannot withdraw from them. Hence he finds himself in great embarrassment. But the trouble is transitory. The original strength of his nature offsets the mistake he has made, and the goal is reached.
The Future
29. K'an - The Abysmal (Water) Above (in front): K'an - The Abysmal (Water) Below (behind): K'an - The Abysmal (Water)
Comment by Richard Wilhelm:
This hexagram consists of a doubling of the trigram K'an. It is one of the eight hexagrams in which doubling occurs. The trigram K'an means a plunging in. A yang line has plunged in between two yin lines and is closed in by them like water in a ravine. The trigram K'an is also the middle son. The Receptive has obtained the middle line of the Creative, and thus K'an develops. As an image it represents water, the water that comes from above and is in motion on earth in streams and rivers, giving rise to all life on earth. In man's world K'an represents the heart, the soul locked up within the body, the principle of light inclosed in the dark–that is, reason. The name of the hexagram, because the trigram is doubled, has the additional meaning, "repetition of danger. " Thus the hexagram is intended to designate an objective situation to which one must become accustomed, not a subjective attitude. For danger due to a subjective attitude means either foolhardiness or guile. Hence too a ravine is used to symbolize danger; it is a situation in which a man is in the same pass as the water in a ravine, and, like the water, he can escape if he behaves correctly.
The Judgement for the Future
The Abysmal repeated. If you are sincere, you have success in your heart, And whatever you do succeeds.
Comment by Richard Wilhelm:
Through repetition of danger we grow accustomed to it. Water sets the example for the right conduct under such circumstances. It flows on and on, and merely fills up all the places through which it flows; it does not shrink from any dangerous spot nor from any plunge, and nothing can make it lose its own essential nature. It remains true to itself under all conditions. Thus likewise, if one is sincere when confronted with difficulties, the heart can penetrate the meaning of the situation. And once we have gained inner mastery of a problem, it will come about naturally that the action we take will succeed. In danger all that counts is really carrying out all that has to be done–thoroughness–and going forward, in order not to perish through tarrying in the danger. Properly used, danger can have an important meaning as a protective measure. Thus heaven has its perilous height protecting it against every attempt at invasion, and earth has its mountains and bodies of water, separating countries by their dangers. Thus also rulers make use of danger to protect themselves against attacks from without and against turmoil within.
The Image for the Future
Water flows on uninterruptedly and reaches it goal: The image of the Abysmal repeated. Thus the superior man walks in lasting virtue And carries on the business of teaching.
Comment by Richard Wilhelm:
Water reaches its goal by flowing continually. It fills up every depression before it flows on. The superior man follows its example; he is concerned that goodness should be an established attribute of character rather than an accidental and isolated occurrence. So likewise in teaching others everything depends on consistency, for it is only through repetition that the pupil makes the material his own.