Your current situation can be depicted as "The Wanderer" transforming into "Revolution (Molting)".
In front of you lies "Fire" which transforms into "Lake". That means that brightness and warmth are being transformed into joy, pleasure, and attraction. Behind you lies "Mountain" which transforms into "Fire". That means that stillness and obstruction are being transformed into brightness and warmth.
The Situation
56. Lu - The Wanderer Above (in front): Li - The Clinging (Fire) Below (behind): Kên - Keeping Still (Mountain)
Comment by Richard Wilhelm:
The mountain, Kên, stands still; above it fire, Li, flames up and does not tarry. Therefore the two trigrams do not stay together. Strange lands and separation are the wanderer's lot.
The Judgement for the Current Situation
The Wanderer. Success through smallness. Perseverance brings good fortune To the wanderer.
Comment by Richard Wilhelm:
When a man is a wanderer and stranger, he should be not be gruff nor overbearing. He has no large circle of acquaintances, therefore he should not give himself airs. He must be cautious and reserved; in this way he protects himself from evil. If he is obliging toward others, he wins success. A wanderer has no fixed abode; his home is the road. Therefore he must take care to remain upright and steadfast, so that he sojourns only in the proper places, associating only with good people. Then he has good fortune and can go his way unmolested.
The Image for the Current Situation
Fire on the mountain: The image of The Wanderer. Thus the superior man Is clear-minded and cautious In imposing penalties, And protracts no lawsuits.
Comment by Richard Wilhelm:
When grass on a mountain takes fire, there is bright light. However, the fire does not linger in one place, but travels on to new fuel. It is a phenomenon of short duration. This is what penalties and lawsuits should be like. They should be a quickly passing matter, and must not be dragged out indefinitely. Prisons ought to be places where people are lodged only temporarily, as guests are. They must not become dwelling places.
Interpretation of the Changing Line(s)
Line 1: If the wanderer busies himself with trivial things, He draws down misfortune upon himself.
Comment by Richard Wilhelm:
A wanderer should not demean himself or busy himself with inferior things he meets with along the way. The humbler and more defenseless his outward position, the more should he preserve his inner dignity. For a stranger is mistaken if he hopes to find a friendly reception through lending himself to jokes and buffoonery. The result will be only contempt and insulting treatment.
Line 5: He shoots a pheasant. It drops with the first arrow. In the end this brings both praise and office.
Comment by Richard Wilhelm:
Traveling statesman were in the habit of introducing themselves to local princes with the gift of a pheasant. Here the wanderer wants to enter the service of a prince. To this end he shoots a pheasant, killing it at the first shot. Thus he finds friends who praise and recommend him, and in the end the prince accepts him and confers an office upon him. Circumstances often cause a man to seek a home in foreign parts. If he knows how to meet the situation and how to introduce himself in the right way, he may find a circle of friends and a sphere of activity even in a strange country.
Line 6: The bird's nest burns up. The wanderer laughs at first, Then must needs lament and weep. Through carelessness he loses his cow. Misfortune.
Comment by Richard Wilhelm:
The picture of a bird whose nest burns up indicates loss of one's resting place. This misfortune may overtake the bird if it is heedless and imprudent when building its nest. It is the same with a wanderer. If he lets himself go, laughing and jesting, and forgets that he is a wanderer, he will later have cause to weep and lament. For if through carelessness a man loses his cow–i. e. , his modesty and adaptability–evil will result.
The Future
49. Ko - Revolution (Molting) Above (in front): Tui - The Joyous (Lake) Below (behind): Li - The Clinging (Fire)
Comment by Richard Wilhelm:
The Chinese character for this hexagram means in its original sense an animal's pelt, which is changed in the course of the year by molting. From this word is carried over to apply to the "moltings" in political life, the great revolutions connected with changes of governments. The two trigrams making up the hexagram are the same two that appear in K'uei, OPPOSITION (38), that is, the two younger daughters, Li and Tui. But while there the elder of the two daughters is above, and what results is essentially only an opposition of tendencies, here the younger daughter is above. The influences are in actual conflict, and the forces combat each other like fire and water (lake), each trying to destroy the other. Hence the idea of revolution.
The Judgement for the Future
Revolution. On your own day You are believed. Supreme success. Furthering through perseverance. Remorse disappears.
Comment by Richard Wilhelm:
Political revolutions are extremely grave matters. They should be undertaken only under stress of direst necessity, when there is no other way out. Not everyone is called to this task, but only the man who has the confidence of the people, and even he only when the time is ripe. He must then proceed in the right way, so that he gladdens the people and, by enlightening them, prevents excesses. Furthermore, he must be quite free of selfish aims and must really relieve the need of the people. Only then does he have nothing to regret. Times change, and with them their demands. Thus the seasons change in the course of the year. In the world cycle also there are spring and autumn in the life of peoples and nations, and these call for social transformations.
The Image for the Future
Fire in the lake: the image of Revolution. Thus the superior man Sets the calendar in order.
Comment by Richard Wilhelm:
Fire below and the lake above combat and destroy each other. So too in the course of the year a combat takes place between the forces of light and the forces of darkness, eventuating in the revolution of the seasons. Man masters these changes in nature by noting their regularity and marking off the passage of time accordingly. In this way order and clarity appear in the apparently chaotic changes of the seasons, and man is able to adjust himself in advance to the demands of the different times.
56. Lu - The Wanderer
49. Ko - Revolution (Molting)